Magic Trick Video finally up – Some sick Novation Launchpad Skills

So I’ve a new video up. I’ve been rehearsing the set in it for a week, so I have no words for how relieved I feel seeing that it turned out ok.

I made it using 4 virtual instruments in Ableton Live, each assigned to limited portion of the Launchpad, with the top right quarter of the button grid assigned to midi clip spots and effects, and some of the round buttons assigned to audio clips (the Joker quotes). This meant I could record each of them both simultaneously and individually, while being able to switch between multiple combinations of clips and effects much faster than I would if I’d assigned any instrument to the whole button grid of the Launchpad. Overall, I’m pretty happy with how it turned out.

I filmed this in the Cismigiu Gardens in Bucharest. The thing was filmed by ADNgraphic and supervised by a drummer friend of mine. I love having security ‘on set’.

If I get enough feedback on this, I’ll post a full explanation on how I created this set, along with the samples I used.

You can also check out some more videos of mine here.

*EDIT* I’ve entered the video in the Novation Video Showdown Competition and won  2nd place. I’ll be receiving my prize Special Edition Launchpad shortly. Thanks to all who voted for me.

It has to be done

I’ve been trying to work up the patience to start recording a proper demo and so far, it’s been a little bit of a failure.

A proper demo and setlist (as opposed to the bundle of improvised songs I’ve usually been coming up with) would mean a world of usefulness. Just off the top of my head, the uses for a demo include being able to send stuff to record labels, festivals or contests for evaluation and such, handing out free CDs and the like during gigs, as well as venues taking more than my (or my imaginary manager’s) word for it when I say I can do some decent live sets. Also, a setlist means the show I put on is a little bit planned (I’m not turning around 180 here, there’s still lots of room for improv) and I get to do some tracks and songs that some people can eventually come to recognise. I have absolutely NO fans at the moment, and NO tracks, so talking about the popularity of my future tunes is actually thinking a little bit too far ahead, but hey, I’m yet to hear of an artist that doesn’t want his songs recognised, known, bought (in my situation I’d even settle for “stolen off torrents or downloaded for free”) and listened to.

My problem with recording a proper demo and setlist is the fact that I’m a perfectionist, thanks to being used to recorded music. (as in stuff played on instruments like drums and guitar – rock, jazz, etc – as opposed to sequenced music, which is what I do now – electronica, IDM and digital DJ stuff. As a further sidenote, I’ve read that deadmau5 considers the term “DJ” to be completely outdated and frankly, I agree with him. The term “controllerist” comes to mind as the better candidate for replacing “DJ”, although it doesn’t come a lot closer to suiting what digital music artists are doing these days. I still consider being referred to as a “DJ” a necessary evil, though. While innovative and open-minded artists like deadmau5 understand the need for new terminology to better describe the constantly changing orgy of digital music, most people barely grasp the meaning of “DJ”. So I’m thinking that when I’m asked what I do, I’d prefer saying I’m a DJ and giving the asker some idea of samples and electronic music to start with than saying I’m a controllerist or the like and getting puzzled looks or having to explain the whole thing, like Moldover has to.)

Back to the subject at hand, recording the demo would mean having to sit through it an mix it properly (a lot of work, even for sequenced music), then master it and then having to nag ADNgraphic (who’s one of the busiest people I know) to do the artwork for CDs and promoting the thing. If we don’t attach any visuals, no one’s going to notice (trust me, I speak from experience) and the CD is more likely to end up in a dustbin somewhere. I’m also not capable of settling for some random, completely uninteresting and half-assed demo, so I’d have to spend at least a week on it, getting it to sound right to me. I don’t have a week.

A proper setlist is coming for sure, though.

Improvisation

*Before the actual post, a disclaimer: Below is GEEK TALK. I aimed this post at people with in-depth knowledge on MIDI controllers, Ableton Live sets and controllerism in general. If you’re not an electronic music geek, chances are you won’t understand much. If you do, however, kudos to you.

I have finally finished a set-up that allows me to do similar things to what I’ve been seeing around in videos featuring my favorite Electronica artists: improvise full songs. How can Nosaj Thing do ALL that stuff with just one controller. Or Moldover, for that matter?

In my newbie days, I often wondered how you can improvise in the Electronica genre. There’s no instruments, no actual notes, just samples and tracks and buttons and knobs and sliders. I’ve since discovered looping, sampling and sequencing on the fly, among other things, so the next step for me has been discovering a set-up that allows me to improvise a track without having to wait at least half-an-hour between songs to create (or load) a different Live set.

I’ve finally done that, a few days ago, thanks to discovering that limiting yourself is the actual secret. I don’t want to use ALL the effects, samples, channels and functions on my controllers. As an example, instead of using my Korg nanoKONTROL to control its full capacity of 36 mixer channel volumes and just as many effect parameters ( not counting the buttons) I’m using it to control 8 mixer channels with two sends each. Limiting myself to 8 channels with a MIDI effect and two sends each made me think about how I could fill that small space with something truly versatile and expressive. So I’ve figured it out. Some reverb, some filtered delay and some beat repeaters with modifiable parameters and I couldn’t believe the magic.

It always seems complicated when you look at it, but it’s actually simple. The fact that you don’t know what’s mapped to what from the start is what makes it look complicated and confusing.

I’ll elaborate on my set on a later date, but, until then, here’s my first fully improvised song on youtube:

[youtube=http://www.youtube.com/watch?v=gkhfnaTP0D8]

Moving On

On a more personal note, I have been feeling rather content with myself the past couple of days. The reason for that is that I am no longer playing guitar for the Kozmic Jazz Band, which was taking up a lot of my time, resources and (creative) energy, while giving me no form of satisfaction whatsoever. It was not the right environment for me.

This, of course, means I’ll be able to focus on the Bandesnaci project, as in working more on my own music and updating this blog more often, among other things.

Another reason for jumping up in joy is my latest purchase of another Novation Launchpad, the most useful (and fun to use) DAW controller I have ever encountered. The integration with Live is absolutely amazing.

[youtube=http://www.youtube.com/watch?v=gMgxLPcq-3o]

And now I have two of them. Along with the X-Board and the nanoKONTROL, and the newly found time on my hands, I can now work on this project exactly the way I want to.